For all Canadians…although I suppose Americans would be equally thankfully with a brand new mattress…
Podcasts
Hidden Gem: Lyon “Catch Me If I Fall”
Sammy Younan
Girth Radio Presents…
Oh be still my 80s loving heart. You hear that delightful synth?! That voice radiating pop’s best hopes. What a fun upbeat tune.
Host Haiku In Session With Girth…Run
As inspired by listening to RUN’s Music
017 | Gavin Stephens (Scarborough)
My Summer Lair host Sammy Younan talks to standup comic Gavin Stephens; a fellow Scarborough Son.
Hidden Gem: New Order “Restless”
Sammy Younan
Girth Radio Presents…
I nearly burst into tears when I pushed play on this video…New Order are back! Oh how this band has been missed. While I enjoy Depeche Mode my 80s synth heart beats for New Order. I carved our names into a tree, giant heart…big arrow…the whole deal.
016 | Liz Knox (Katharine Mulherin Gallery)
My Summer Lair host Sammy Younan talks to the artist Liz Knox.
Hidden Gem: Drake x Florence + The Machine “Back To Delilah”
Sammy Younan
Girth Radio Presents…
Now this is math I can get behind: Drake x Florence + The Machine = freshness! Turn this mashup up! (Points for an excellent video…all around outstanding work…)
READ ON “Hidden Gem: Drake x Florence + The Machine “Back To Delilah”” »
Trailer Alert: Keith Richards: Under the Influence
Sammy Younan
Girth Radio Presents…
The trailer for Under the Influence opens with remarkable self-awareness for an ancient celebrity: “I know who I am…but I realize people think Kith Richards is smoking a joint, bottle in his hand, cursing the fact that the liquor store’s closed.” That observation launches into that trademark phlegmy laugh slash cough seniors who are avid smokers possess.
READ ON “Trailer Alert: Keith Richards: Under the Influence” »
015 | Kathleen Hepburn (Never Steady Never Still)
My Summer Lair host Sammy Younan talks to Kathleen Hepburn director of Never Steady, Never Still playing at TIFF 2015.
Hidden Gem: Alessia Cara “Here (Live)”
Sammy Younan
Girth Radio Presents…
Here instantly captured my attention with the clever Portishead Glory Box sample. It took a couple of listens to actual move past the sample to “hear” what Alessia Cara was saying. She riffs like Def Poetry Jam in structure and style. I don’t understand how the machine…the system works?
How does a girl go from Brampton, Ontario to performing on BBC Radio 1?